Mirrorless camera reviews right at your virtual doorstep!
By Heather
One of the key questions I ask myself when trying out a camera strap for the first time, besides the obvious question of whether or not it’s comfortable, is: just how easy is it to attach and remove?
[Read more…] about CustomSLR Slim Strap Review – A quick-connecting solution for mirrorless
By Heather
Given that Sony has been concentrating less on developing its APS-C lens line-up and more on augmenting its range of full-frame E-mount lenses, it is encouraging to see that Sigma has stepped up to the plate with an APS-C offering that’s hard to refuse: the Sigma 30mm f/1.4 DC DN.
[Read more…] about Sigma 30mm f/1.4 DC DN Lens Review (for Sony E-mount / APS-C Format)
By Heather
Even before we saw the new Sony a6300 for the first time at the Sony press event in Amsterdam, we knew it would have some pretty big shoes to fill. According to various best-seller lists and Sony itself, the a6000 is the best-selling mirrorless camera of all time. Why? Because with the price of only $800 with the kit lens upon its release, and $600 now that it is two years old, you get many high-end features such as a 24MP APS-C sensor, 11fps continuous burst, XAVC S video and fast focusing, all in a very compact body.
[Read more…] about Sony a6300 vs. a6000 – The 30 Differences (Big and Small)
By Heather
Dear reader, thank you for visiting our website. The article you are looking for – Comparing the 20MP sensors of the Olympus Pen F and Panasonic GX8 – has been transferred over to our new comparison website. You can find the link in the comment section below. We apologise for the inconvenience.
If you are looking for information about the GX8 or Pen F, you can check our individual reviews below:
By Heather
In early 2015 I had the bright idea of embarking on a project that would bring together various passions and aesthetic obsessions under the umbrella of one comprehensive body of work. The initial idea was to make perfectly symmetrical and exacting images that would express my passion for aviation and aircraft design. The idea, I thought, was solid and the execution, I (wrongly) assumed, wouldn’t be too difficult. The only problem was the fact that I owned a Fujifilm X100 at the time, a camera that was hardly designed with fast moving subjects in mind. Without the means to upgrade my kit and unwilling to put my idea on the back burner I decided that I would just work around the limits imposed by the Fuji and plough on.