Much like the 21mm 1.4 that we reviewed recently, the 50mm 1.2 is part of the CS line-up of manual focus lenses designed for mirrorless cameras by the Korean brand Samyang. In our comparison with the Fujinon 56mm 1.2, the lens left the battlefield with a few broken bones. However, since I spent a long time with the lens, I decided to share a more complete article with more images. Let’s see if this 50mm can still be a interesting choice for Fuji X and mirrorless users in general despite its flaws.
Third-Party Lens Reviews
Samyang / Rokinon 21mm f/1.4 review (Fuji X, Sony E, Canon M, Micro Four Thirds)
Samyang has been doing an excellent job with its manual focus lenses. They provide affordable products that in many cases fulfil the “good quality / low price” requirement while sacrificing some other aspects like autofocus and electronic contacts (but that might change since the brand recently launched its first AF lenses). They also have a popular line-up of Cine lenses.
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Zeiss Batis 18mm f/2.8 review (Sony E-mount)
When we interviewed product manager Christophe Casenave two years ago, he made it very clear just how important the Sony full-frame mirrorless system was to Zeiss. Today, with no less than 6 lenses designed specifically for the A7 series, we now have a clear picture of the German brand’s commitment, not only to designing lenses in partnership with Sony but also to producing a complete catalogue of its own products.
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Sigma 30mm f/1.4 DC DN Lens Review (for Sony E-mount / APS-C Format)
Given that Sony has been concentrating less on developing its APS-C lens line-up and more on augmenting its range of full-frame E-mount lenses, it is encouraging to see that Sigma has stepped up to the plate with an APS-C offering that’s hard to refuse: the Sigma 30mm f/1.4 DC DN.
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A companion for architecture and landscapes – Zeiss Loxia 21mm f/2.8 Review
In late October we had the chance to test a pre-production sample of the new Zeiss Loxia 21mm for the Sony E-mount during an enjoyable event in Cambridge. These last two weeks have been spent with a final version, allowing us to complete our analysis.
The 21mm is the third manual focus lens designed by Zeiss for the A7 full-frame mirrorless cameras and in my opinion it is also the most interesting focal length out of the three. As of now, this is the widest prime available for the FE system but I expect to see new products in 2016.
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