Testing the new Pro Set II by Rebecca Lily brought me in contact with a field in which I have little experience: film. Being part of the “digital” generation, I have never really given film a proper chance. My only experiences were when I was little (my first camera ever was a Yashica FX200) and during the Cinema School I attended in France where we learned to shoot and develop black and white film. I never felt a creative curiosity to continue with it and build a project around it, mainly because I always found digital more convenient for the work I do. But now that I am currently writing this introduction, I realise I should fill in this gap in my knowledge, as I believe that every new experience is precious for any photographer.
fuji x-trans sensor
What is the Best Way to Post-Process Fuji X100s Colours?
Update: the Fuji Film Simulation profiles are now included with Adobe Camera Raw 8.4. Check out our first impression article!
I am not usually the pixel-peeping kind of photographer, nor am I obsessed with bokeh or dynamic range or tridimensional full frame perception. (Try saying that five times fast!) If you have already read some of my articles such as why I am using the E-M5 for work or our E-P5/X100s unconventional ISO comparison, the truth is that I mostly care about functionality and the actual photographs produced by the camera. But as there are many digital technology lovers out there, sometime the geek inside me takes the lead!
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