rebecca lily presets

A taste of film in your digital work – Review of the “Rebecca Lily Pro Set III” presets for Lightroom & Photoshop

20/08/2014 By Mathieu

Exactly one year ago, I reviewed the Rebecca Lily Pro Set II for Lightroom. I became interested in these presets because some of them were specifically designed for the Fujifilm X-Trans sensor and at the time, the Adobe software hadn’t yet added the Film Simulation Modes for Fuji RAF files. While completely different from Fuji X camera colour rendering, Rebecca’s set proved a very interesting alternative that gave a nice and delicate filmic look to digital images.

The People of Wales: A Fujifilm X100s Gallery

30/09/2013 By Mathieu

One of the reason I love going on holiday so much is that I’m completely free to approach my photography as I like, without the constraints of work, client demands and a busy schedule. It is also the perfect time to work on personal projects.

The Perfect Harmony Between Film & Digital? The Rebecca Lily Pro Set II Review for the Fuji X-Trans Sensor

14/09/2013 By Mathieu

Testing the new Pro Set II by Rebecca Lily brought me in contact with a field in which I have little experience: film. Being part of the “digital” generation, I have never really given film a proper chance. My only experiences were when I was little (my first camera ever was a Yashica FX200) and during the Cinema School I attended in France where we learned to shoot and develop black and white film. I never felt a creative curiosity to continue with it and build a project around it, mainly because I always found digital more convenient for the work I do. But now that I am currently writing this introduction, I realise I should fill in this gap in my knowledge, as I believe that every new experience is precious for any photographer.

The Colours of Aberdyfi: An X100s Gallery using Rebecca Lily’s Pro Set II

27/08/2013 By Mathieu

Last week, post-processing tool designer Rebecca Lily sent me her new Pro Set II presets for Adobe Lightroom and ACR, developed primarly for the Fuji X-Trans Sensor (X100s, X-Pro1, X-E1, etc.). Since Fuji digital cameras have a colour rendition more similar to film than other digital sensors (especially to Fujifilm and in particular the Fuji Pro 400H), its RAW files are easier to match to a more natural film look in post-production. Rebecca designed these new presets to complement this unique base palette.